dOCUMENTA (13) notebook series 100 Notes - 100 Thoughts

035: Matias Faldbakken
SEARCH

For SEARCH, novelist and artist Matias Faldbakken went into the log of his different hard drives and extracted parts of his Google search histories. The search phrases are printed chronologically according to when they were typed into the search box. The texts are largely based on image searches. In many respects they show the verbal semi-absurd foundation for the artist's image production: they are partly his notes, partly his research. These search-word texts are almost like automatic writing: unconscious (or accidental) text production. They allow the reader to witness part of his working process and could be seen as a cross section of his thinking. The texts occupy a space in between the artist's visual and textual production, ending up here as a form of (concrete) poetry.

Matias Faldbakken (b.1973, Hobro, Denmark, lives and works in Oslo, Norway) has exhibited widely internationally and within Norway. His most recent exhibitions were held at the Power Station in Dallas, TX, USA, at the Kunsthalle Fridericianum in Kassel, Germany and at the Neue Achener Kunstverein in Aachen, Germany.

SEARCH
English/German
32 pp., 2 ill.,
10.5 x 14.8 cm, paperback
€ 4.– [D], CHF 6.90
ISBN 978-3-7757-2884-3
December 2011

E-Book
Ca. € 3.99 [D], CHF 6.90
ISBN 978-3-7757-3064-8
January 2012

OCA ANNOUNCES

‘BIKE AND BOLEX’
BY MAI HOFSTAD GUNNES AT WIELS CONTEMPORARY ART CENTRE, BRUSSELS, BELGIUM

CURATED BY DEVRIM BAYAR

Exhibition Dates: 18 February–11 March 2012
Opening Reception: Friday 17 February, 18:30

WIELS.org

As a result of Mai Hofstad Gunnes' nine-month residency in Brussels, Belgium, WIELS Contemporary Art Centre presents the 16mm film Bike and Bolex. Echoing the artist's ongoing reflection on the construction of identity, Bike and Bolex shows a group of five women bicycling in circular paths while filming each other with Bolex cameras. According to the artist, 'the revolving movements captured by the five subjective cameras draw a molecular structure without a fixed center and convey an idea of a non-hierarchical multiple subjectivity'. An artist book will be launched alongside the exhibition. French art historian Benoît Lamy de La Chapelle has contributed with an essay that is also accompanying the project.

For press inquiries and more information on this announcement, please contact Devrim Bayar, Residency Curator, WIELS Contemporary Art Centre.

About the artist
Through 16mm film, installation and collage, Mai Hofstad Gunnes (b.1977 in Lørenskog, Norway, lives and works in Oslo, Norway and Berlin, Germany) has developed a personal imagery based on a type of associative logic, where different layers of reality are tested against each other. Her artistic point of departure derives from an interest in concrete systems of categorisation and the translation of these into a more non-hierarchical formalist language. Her recent films, as attempts to externalise inner worlds, involve performers to focus on the embodiment and personification of architecture and science. Recent exhibitions include 'Oh how time flies', Bergen Kunsthall, Bergen, Norway (2011); 'Le choix du titre est un faux problème', Cneai de Paris, Paris, France (2011); 'Goddesses', Museum of Contemporary Art, Oslo (2010); 'Pyrrhic Fortune', Sils, Rotterdam, the Netherlands (2010) and 'A shape of love you can never imagine', Oslo Fine Art Society, Oslo (2009).

About OCA's WIELS Contemporary Art Centre Residency Programme, Brussels
Mai Hofstad Gunnes holds a fellowship from OCA as part of its International Studio Program at WIELS Contemporary Art Centre in Brussels, Belgium. OCA offers a nine-month residency programme for an artist at WIELS Contemporary Art Centre. Applications are accepted from Norwegian artists and international artists residing in Norway. The programme is designed for artists who have already elaborated a specific and promising aesthetic language but seek artistic, theoretical and professional support in order to develop their practice.

OCA ANNOUNCES

THE PARTICIPATION OF KNIPSU, VOLT AND SMALL PROJECTS IN SUPERMARKET 2012, STOCKHOLM, SWEDEN

Exhibition Dates: 17–19 February 2012
Press Preview: Thursday 16 February, 11:00–13:00


supermarketartfair.com

The artist-run spaces KNIPSU (consisting of Hilde Jørgensen, Kristin Tårnesvik and Maya Økland), Volt (a curatorial project by Marie Nerland) and Small Projects (consisting of Jet Pascua and Laurent Fauconnier) are participating in Supermarket 2012, an international artist-run art fair in Stockholm. According to curator Pontus Raud, the goal of Supermarket is to 'provide a showcase for artists' initiatives from all over the world and to create opportunities for new networks in the Swedish as well as the international art scene'. Initiated and organised by artists, Supermarket 'invites the wider public to become a part of what is happening on the artist-run scene, offering visitors unexpected meetings and experiences rather than focusing on sales'. An extensive series of lectures and performances titled 'Supermarket Talks' and 'Red Spot Performance Programme' is also taking place throughout the period of the fair.

For Supermarket 2012, KNIPSU will conduct a workshop under the title 'Thank you for listening' together with the artist group Ytter (consisting of Julie Lillelien Porter, Anne Marthe Dyvi and Anngjerd Rustand). As a starting point for the dialogues and works, the 'ethical side of being a wealthy oil nation, and the consequences this has for artists and art in Norway' will be discussed. The workshop will deal with thematically linked keywords such as power, economy, authority and guilt through conversations, performance and visual artworks. A Speakers Corner will be set up and self-made black 'Aftertaste' candies will be served. Volt is participating with ‘an exhibition in the form of a book’, presenting artworks made especially for the occasion by aiPotu, BADco., Milena Bonilla, Phil Coy, Institute for Colour, plan b, Mai Hofstad Gunnes and Per-Oskar Leu.
 Small Projects will present works by artists Ane Sagatun, Kristine Halmrast, Margrethe Pettersen, Joar Nango, Sigurd Gurvin and Eric Zamuco.

For press inquiries and more information on this announcement, please contact Pontus Raud.
Press accreditations can be obtained by contacting accred@supermarketartfair.com.

About KNIPSU
KNIPSU is both an artist-run space based in Bergen, Norway, and a mobile platform, producing exhibitions, events, screenings, concerts, workshops and publications. KNIPSU set out to provide an interdisciplinary meeting point for creative exchange and dialogue between artists across national borders. It is run within the framework of collaboration and DIY by Hilde Jørgensen, Kristin Tårnesvik and Maya Økland since August 2010.

About Volt
Volt is a curatorial project initiated in Bergen in 2008 by Marie Nerland, presenting new art projects by Norwegian and international contemporary artists, including exhibitions, time-based media, performances, discursive projects and sound art projects, with a special focus on artists who work across several media and modes of expression. Volt is a non-commercial curatorial initiative that does not have its own exhibition space, but finds suitable locations for each project.

About Small Projects
Small Projects began as a nomadic art initiative in 2001. After receiving support from the Norwegian Arts Council, Small Projects established a permanent location in the city of Tromsø in January 2011.

OCA Support 

The participation of KNIPSU, Volt and Small Projects at Supermarket 2012 has been supported by OCA's International Support Programme.

OCA ANNOUNCES

THE PARTICIPATION OF JANNICKE LÅKER, PER TELJER AND CLAUDIA REINHARDT IN
‘STORIES FROM UNDER A PALE MOON – VIDEOS FROM NORTHERN EUROPE’
AT META HOUSE, PHNOM PENH, CAMBODIA

CURATED BY NICO MESTERHARM

Exhibition Dates: 12-26 February 2012

www.meta-house.com

'Stories from under a pale moon – videos from northern Europe' is the title of an exhibition and a seminar including Jannicke Låker, Per Teljer, Claudia Reinhardt and Morgan Schagerberg held at the Meta House in Phnom Penh, Cambodia, from 12 to 26 February 2012. Within the exhibition Låker will present Sunday Mornings (2007), which is about a woman who is exposed for a mortal situation in her home after a night out. In Teljer's The Celebration (2001) three outsiders living on state benefits gather to celebrate New Year’s Eve together. Reinhardt's No Place Like Home (2007) explores how the personality and individuality of an ordinary girl in a small town in southern Germany develops. In Schagerberg's City and Nature (2008) crystal crowns slowly rain on a road in a quiet and desolate landscape. The seminar will be held during the last week of the exhibition period, addressing issues such as identity, belonging and alienation, with a special focus on how childhood, society, home and history have formed the artists' expressions.
'Stories from under a pale moon – videos from northern Europe' brings to focus the term 'Bygdedyret' ('the village animal'), which is not, as the artists describe, 'an animal in a regular sense, but rather a mental monster composed of a corporate state in small communities'. The term was created by the Norwegian author Tor Jonsson and is related to 'The Jante Law' first published by the Danish/Norwegian author Aksel Sandemose in A Fugitive Crosses His Tracks (1933). The artists go on to say that the concept of 'Bygdedyret' isn't limited to Norway, but is a well-known international phenomenon. 'Bygdedyret ignores and breaks down all kind of innovations, changes and dreams that pop up in its milieu—sometimes with ignorance and silence, sometimes with mental or utterly physical violence'. 'Stories from under a pale moon – videos from northern Europe' is curated by researcher, author and director Nico Mesterharm.

For press inquiries and more information on this announcement, please contact Jannicke Låker.

About the artists

Jannicke Låker
Jannicke Låker (b.1968 in Drammen, Norway, lives and works in Berlin, Germany) is a video artist known for her explicit treatment of taboos such as shame, guilt, immodesty and mental abuse. She has been presenting her works internationally. Selected venues include Nordic Panarama 2011, Århus, Denmark; Lilith Performance Event 2011 Malmö, Sweden; Norwegian Short Film Festival, Grimstad, Norway (2011); The Israeli Center for Digital Art, Holon, Israel (2010); International Women's Film Festival, Rio de Janeiro, Brazil (2010); International Competition South by SouthWest, Austin, Texas, USA (2009) and Festival International de Film et Video de Creation, Beirut, Lebanon (2008).

Per Teljer
Per Teljer (b.1970 in Smögen, Sweden, lives and works in Oslo, Norway) graduated from the Trondheim Academy of Fine Art. He is represented at The Museum of Contemporary Art, Oslo; Bergen Art Museum, Bergen, Norway; The Norwegian Arts Council and The National Museum of Art, Architecture and Design, Oslo. Selected exhibitions include 'What Happened to God?', ACC Galerie, Weimar, Germany (2011); Oslo Screen Festival, Oslo (2010); Trunk '09 – The Nordic Art Video Festival, Östersund, Sweden (2009) and LIAF 04 – Lofoten International Art Festival, Svolvær, Norway (2004). Teljer is an associate professor at the Trondheim Academy of Fine Art.

Claudia Reinhardt
Claudia Reinhardt (b.1964 Mannheim, Germany, lives and works in Bergen, Norway) studied visual communication at Hochschule für bildende Künste, Hamburg, Germany. Solo shows include 'Liebesmüh' - Lover's Labour', Galerie Richter & Brückner, Köln, Germany (2011); 'Heimat-Hotel', Bredaphoto International Photo Festival, Breda, the Netherlands (2008); 'Underdagen', Hordaland Kunstsenter, Bergen (2007) and 'She must be seeing things', The Pound Gallery, Seattle, USA (1999). Reinhardt has been teaching at the National Academy of the Arts, Bergen, since 2000.

About O3–funds
Jannicke Låker, Per Teljer and Claudia Reinhardt's participation in 'Stories from under a pale moon – videos from northern Europe' at the META House is supported by O3–funds as underwritten by the Norwegian Ministry of Foreign Affairs for enhancing collaboration in the contemporary art field with professional artists in countries designated by the MFA. The purpose of the O3–funds as allocated to OCA is to further develop cooperation and professional networking between OCA and the constituency of artists, independent cultural producers, and organisations that are located in designated countries. This includes but is not limited to 'professional research visits by cultural producers, artists, and curators', 'short-term residencies for cultural producers and artists', 'seminars, conferences, art projects, workshops that focus on the further development of professional exchange and networking between and among countries', and 'project development on an international scale'.


OFFICE FOR CONTEMPORARY ART NORWAY
The Office for Contemporary Art Norway is a foundation created by The Norwegian Ministry of Culture and The Norwegian Ministry of Foreign Affairs in autumn 2001. The main aim of the Office for Contemporary Art Norway is to develop collaborations in contemporary art between Norway and the international art scene. The Office for Contemporary Art Norway aims to become a key contributor to the discourses of contemporary art.

OCA ANNOUNCES

'CRISIS AND CRITIQUE'
A VIDEO AND AUDIO-SCULPTURAL INSTALLATION BY PER-OSKAR LEU AT TRIPLE CANOPY, NEW YORK, NY, USA

Exhibition Dates: 10-19 February 2012
Opening Reception: Friday 10 February, 19:00


canopycanopycanopy.com

Per-Oskar Leu has been invited by Triple Canopy to hold the solo exhibition 'Crisis and Critique' from 10 to 19 February 2012. In this video and audio-sculptural installation, the artist takes as his point of departure the German playwright Bertolt Brechtʼs appearance in 1947 before the United States House of Representatives Un-American Activities Committee. According to Triple Canopy, Leu is using Brecht’s plays, screenplays, films and signature leather jacket as touchstones in order to 'orchestrate a theatrical presentation of archival recordings and audio-sculptural objects’. The centerpiece of the installation is a new video edited by Leu, weaving together German films of the 1930s and 40s that dramatise the trial format, including Fritz Lang’s M (1931) and Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse, 1933); Brecht’s Kuhle Wampe, oder: Wem gehört die Welt? (Kuhle Wampe or Who Owns the World?, 1932); Hangmen Also Die! (1943) and the film adaptation of his Die Dreigroschenoper (Threepenny Opera, 1931). In combining archival recordings of the 1947 testimony with excerpts from period films and using the current moment in America’s history as a Brechtian Verfremdungseffekt (distancing effect), the exhibition 'considers the distance between historical truths and fiction and asks: What role can or should the artist play during watershed political moments?’

OCA Support 

Per-Oskar Leu's solo exhibitions at Triple Canopy has been supported by OCA's International Support Programme.

About the artist
Per-Oskar Leu (b.1980 in Oslo, Norway, lives and works in Oslo) graduated from the Städelschule, Frankfurt, Germany, in 2009. He has recently presented solo projects at Dortmund Bodega, Oslo; 1/9 Unosunove, Rome, Italy; Vanish, Frankfurt; and Johan Berggren Gallery, Malmö, Sweden. His work has been included in exhibitions at the Malmö Konstmuseum, Malmö; Entree, Bergen, Norway; Centro per l’Arte Contemporanea Luigi Pecci, Prato, Italy and SWG3, Glasgow, Scotland. Leu has also contributed to LISTE Performance Project, Basel, Switzerland and Frieze Projects, London, UK.

About Triple Canopy
Triple Canopy is a non-profit organisation functioning as an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet's specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them.

Read The New York Times review here.