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OCA provides financial support on a quarterly basis for
international projects involving Norwegian artists and/or cultural
producers. Applications are accepted from Norwegian artists,
international artists living and working in Norway and non-profit
organisations. Priority is given to exhibitions taking place in key
international art institutions and project spaces. Support is also
extended to solo and group exhibitions organised by international
curators, as well as to Norwegian art professionals organising
exhibitions and projects abroad. OCA has implemented
an online
system for applications for the International Support
Programme. This system should be used for the 2011 second quarter
application deadline.
The following application deadlines
for 2011 will be 1
September and 1 November.
Please notice that these application deadlines are slightly earlier
than those in place in the past.
Click here for
more information on International Support and the application
process.
For questions regarding applications for International Support,
please contact Anne Charlotte Hauen. For
international institutional applications and biennials, please
address your questions to Paul Brewer.
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Office for Contemporary Art Norway announces
'The State of Things':
A Series of Public Lectures in
Venice June–November 2011
and
'Beyond Death: Viral Discontents and Contemporary
Notions about AIDS':
An M.A. Teaching Programme at Iuav led by Bjarne Melgaard
February–May 2011
Office for Contemporary Art Norway announces 'The
State of Things': A Series of Public Lectures in Venice
June–November 2011 and 'Beyond Death: Viral Discontents
and Contemporary Notions about AIDS': An M.A. Teaching Programme at
Iuav led by Bjarne Melgaard February–May 2011Norway's
representation at the 54th International Art Exhibition, La
Biennale di Venezia, will consist of two programmes, running
consecutively throughout 2011: 'The State of
Things', a series of lectures by internationally renowned
intellectuals in various cultural and academic institutions in
Venice, and 'Beyond Death: Viral Discontents and
Contemporary Notions about AIDS', a teaching programme by
artist Bjarne Melgaard at Università
Iuav di Venezia.
The dates and the speakers for the Biennale opening days have
been announced.
Click here to
see further details.
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Exhibition dates: 9 March–25 June 2011
Public Hours: Wed, Fri and Sat 12–16:00,
Thu 12–18:00
'Forms of Modern Life: From the Archives of Guttorm
Guttormsgaard' considers the process by which the graphic form
becomes, in the nineteenth and twentieth centuries, a universal,
egalitarian form of expression, moved by both a development of
formal and technical concerns and the intention to communicate and
to mobilise. The project explores how artists such
as Thomas Bewick, Frans
Masereel and Albert
Jærn in printed form,Hannah
Ryggen through her tapestries, and Peder
Balke and Lars
Hertervig in their paintings, used graphic forms to
address the world in which they lived, picturing their environment
and the cultural and political changes of their time with an
emphasis on class consciousness and individual agency, and often
with a revolutionary impulse, overcoming obstacles both in the
making of their work and in the social position assigned to it.
Click here for more
information.
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Frans Masereel, Ilustration from Die Stadt, 1925. © Bono 2010
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The Office for Contemporary Art Norway is responsible for the
Norwegian participation in the Platform China Residency,
Beijing, People's Republic of China; the International Studio Program
Künstlerhaus Bethanien, Berlin, Germany; the Residency Berlin Mitte,
Berlin, Germany; the International Studio and Curatorial
Program (ISCP), New York, NY, USA; the International Artist in Residency
Programme at WIELS Contemporary Art Centre, Brussels,
Belgium; Capacete,
Rio de Janeiro and São Paulo, Brazil; and at 18 Street Arts Center, Los
Angeles, CA, USA.
OCA accepts applications for these programmes.
Click here for more
information.
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18 Street Arts Center — Application deadline: 1 May 2011
In 2011, OCA introduces an open call for applications for a
three-month studio residency from 1 October
2011 through 31 December
2011 at the International Artists in Residency
programme at 18th Street Arts Center in the Santa Monica
neighbourhood of Los Angeles, CA, USA. Only Norwegian citizens are
eligible for this grant. Please note that the programme is not open
to current art students. Applications will be assessed by an
International Jury appointed by OCA and a representative from 18th
Street Arts Center. Click here for more
information.
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OCA offers four residencies for curators, critics and artists in
Berlin in Autumn
2011 and Spring 2012,
from September 2011 until the end
of April 2012, for 2 months each. Applicants
must be Norwegian citizens, or live and work in Norway. The
residency period will be allocated in discussion with the selected
candidates following the Jury's selection. Curators and critics are
especially encouraged to apply and their applications will be given
priority. Please notice that the residency is not available for BA
or MA students. The applications will be assessed by an
International Jury appointed by OCA. More
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Marie Nerland Curator, b.1972 in Molde, Norway; lives
and works in Bergen, Norway
Marie Nerland received a master's degree
in theatre science from the University of Bergen and also studied
theater at the University of Antwerp and theatre and performance at
the State University of New York. She studied at the curating
programme at Bergen National Academy of the Arts from 2008 to 2010.
In 2008, Nerland founded Volt, a gallery for contemporary art based
in Bergen, which presents new art projects by Norwegian and
international artists. Volt has presented new projects by, among
others, PARFYME (Denmark), aiPotu (Norway), szu szu flying art
gallery (Poland), Jan Christensen (Norway), Josefine Lyche and
Henrik Pask (Norway), Milena Bonilla (Colombia) and Pedro
Gomes-Egana (Colombia/Norway). Nerland is also a curator and
producer at BIT Teatergarasjen. She is co-editor of
theNorwegian Art Year Book 2010 and editor of the
anthology 25 with essays on contemporary art. In
addition, she was co-editor of the Norwegian journal for
performance and contemporary art 3t from 1997 to
2007.
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The Office for Contemporary Art Norway runs an International
Visitor Programme to support international curators and cultural
producers in their research in Norway for upcoming exhibitions and
projects.
For more information on the International Visitor Programme Oslo
click here.
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Eungie Joo Keith Haring Director and Curator of
Education and Public Programs at the New Museum
Eungie Joo spearheaded the Museum as Hub
project at the New Museum, New York, NY, USA, a partnership of six
international arts organizations that supports art activities and
experimentation; explores artistic, curatorial, and institutional
practice; and serves as an important resource for the public to
learn about contemporary art from around the world. As part of the
Museum as Hub, Joo commissioned the yearlong Night School project
by Anton Vidokle; a 'Post Living Anti Action Theater' (PoLAAT)
residency with My Barbarian; and launched the Propositions seminar
series — a public forum that considers contemporary artists's ideas
in early development; among other commissions. In 2009, she served
as commissioner for the Korean Pavilion at the 53rd Venice
Biennale, presenting the solo exhibition, 'Condensation: Haegue
Yang'. Joo was previously Director and Curator of the Gallery at
REDCAT, Los Angeles, from 2003 to 2007. She received the Walter
Hopps Award for Curatorial Achievement in 2006.
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Eungie Joo. Photo: Lorna Simpson
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Ida Ekblad to exhibit within 'Expanded Painting' Prague
Biennale 5 Directors: Giancarlo Politi and Helena Kontova Prague
Biennale 5 Prague, Czech Republic 19 May–11 September
2011
Ida Ekblad will be part of 'Expanded
Painting', a macro section of the Prague Biennale, Prague, Czech
Republic, which will open on 19 May and
run until 11 September 2011. The focus of
'Expanded Painting' is abstraction and the current state of this
genre through the works of artists based in the US, Portugal and
Scandinavia.
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Ida Ekblad, Dry Thistle Boiling on the Stove, 2010. Courtesy of the artist
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Gardar Eide Einarsson presents the solo
exhibition 'Power Has a Fragrance' at Bonniers Konsthall,
Stockholm, Sweden, from 16
February to 12 June 2011. The
exhibition is a collaborative project between the Astrup Fearnley
Museum of Modern Art, Oslo, Norway; the Reykjavik Art Museum,
Reykjavik, Iceland; Bonniers Konsthall, Stockholm; and Kunsthalle
Fridericianum, Kassel, Germany and is presented at each institution
throughout 2010 and 2011. Together with co-curatorCamilla
Larsson, director of Bonniers Konsthall Sara
Arrhenius has commissioned Gardar Eide Einarsson to
create a new piece of work especially for the exhibition in
Stockholm. 'Power Has a Fragrance' explores fundamental structures
of social conflicts in modern societies, presenting 'a catalogue of
images of repression while mixing architectural, urban and art
historical references with a specific emphasis on American post war
art, from abstract expressionism to pop art'.
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Gardar Eide Einarsson, Liberty or Death, 2006. Courtesy of Standard, Oslo
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The Landesgalerie Linz,
Austria, invited Mette Tronvoll to
present an exhibition from 17
February to 8 May 2011. Curated
by Stefanie Hoch and Martin
Hochleitner, curator and head of the Landesgalerie Linz
respectively, 'Mette Tronvoll: Photographs 1994-2010' is the
artist's first solo exhibition in Austria and a continuation of
Landesgalerie's exhibition series on portrait photography,
following exhibitions by August Sander and Fiona Tan among others.
The photographic portraits on display were taken in the period 1994
to 2010 in Norway, USA, Japan and Mongolia among other locations,
and are distinguished by their 'direct, sober and restrained'
nature.
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Mette Tronvoll: Isortoq Unartoq #20, 1999. Courtesy of the artist
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ZKM – Museum of Contemporary
Art hosts Elmgreen & Dragset's
first major solo exhibition in Germany, organised byAndreas
F. Beitin, head of ZKM – Museum of Contemporary Art in
Karlsruhe, Germany. Elmgreen & Dragset's project, titled
'Celebrity – The One & the Many', 'emphasises the relationship
between 'the one and the many,' the one being a prominent
personality, an icon, an a-list type, and the mass of "normal"
people, and investigates the ways in which the lifestyle of the
rich and famous is mediated to a broad public by way of staged and
affected realities'. 'Celebrity – The One and the Many' is on view
until 27 March 2011. The exhibition is
accompanied by a publication edited by Peter
Weibel, professor and Chief Executive Officer of ZKM and
by Andreas F. Beitin, which will include comprehensive
documentation of the presented artworks.
Synnøve G. Wetten holds a solo exhibition
at Galleri S:t
Gertrud, Malmö, Sweden, from
5 to 26 February 2011.
Titled 'Trans Panthers — Today's Labyrinths', the exhibition
questions gender, body and identity through constructed narratives
from found-footage material melded together through the use of
video, photo, sound and text. The two main elements in this
exhibition are video sequences of Camilla de Castro, a Brazilian
transsexual porn actor who committed suicide in 2005, and material
from the artist's background as an androgyne fashion model in the
period 1998–2000.
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The Pinacoteca Municipal
Miguel Angelo Pucci, in Franca, São Paulo, Brazil, will present
a solo exhibition by Ane Lan — a
pseudonym used by the performance artist Eivind
Reierstad —
from 5 to 27 March
2011. The exhibition, curated byVitor Monico
Truzzi and titled 'Pacto Femininum', presents the
photographic installation-piece first shown at Fotogalleriet in
Oslo during the spring of 2009, in a solo exhibition which was part
of a programme concerning 'photographic expressions based on
performativity'. The exhibition 'not only questions the traditional
gender roles, but goes further in investigating the psychology of
suffering and being a victim'. The project is supported by
03–funding*.
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Ane Lan, Still from Pacto Femininum. Courtesy of the artist
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Haninge konsthall,
Haninge, Sweden, will present the solo exhibition 'Tori Wrånes:
Height Operation', from 2
April through 8 May 2011.
Curated by Johanne Nordby Wernø in
collaboration with Åsa Mårtensson the
exhibition will present a new video, photographs and sculpture
produced by Wrånes in the last year. According to Wernø, 'Wrånes's
expression is a physical and theatrical one, always incorporating
the artist's body and often her voice, usually in combination with
visual elements that act as part sculptures and installations, part
costumes or props'.
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Anne Hjort Guttu has been invited to take
part in the exhibition 'Making is Thinking', organised
by Zoë Gray, curator at the Witte de With, Center for Contemporary
Art , Rotterdam, the Nederlands. On view
until 1 May 2011, 'Making is Thinking' raise
the questions 'How are we to engage with materiality in our
increasingly dematerialised world?', and 'How might thoughtful
forms of making relate to our supposedly post-industrial society?'
Within the exhibition Guttu will present the work Static
Dynamic Tension Force Form Counterform. Other participating
artists include Eva
Rothschild, Hans
Schabus, William J.
O'Brien, Edgar
Leciejewski and Koki
Tanaka.
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Anne Hjort Guttu, Static Dynamic Tension Force Form Counterform, #6 , 2009. Courtesy of the artist
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Sparwasser HQ, Berlin,
Germany presents 'MicroScenes', a project curated
by Lise Nellemann. Starting 1
February and continuing through 1
September 2011 the project presents a series of
'surveys of different artist communities based in Berlin'.
Nellemann has invited Marianne
Zamecznik and Anders
Smebye to act as 'scouts' for the project in relation
to the Norwegian Berlin-based community. They will be provided with
studios in the periods of March and August 2011 respectively.
Within the programme, Marianne Zamecznik will conduct research on
exhibiting architecture for a public presentation. Anders Smebye,
founder of Bastard project space, Oslo, Norway, will give a talk in
Berlin in which he will explore the ethos of Bastard, its profile
as a space of performances, screenings, happenings, discussions and
other live events.
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Ignas Krunglevicius will participate in a
series of workshops, talks and an exhibition project titled
'Spheres of Power. Tension & Exchange', at
kioskprojects, GlogauAIR, Berlin, Germany
from 24 to 30 April
2011. Invited by curators Juste
Kostikovaite and Viktorija
Siaulyte, the workshop invites artists and cultural
producers to discuss the characteristics that are attributed to the
image of poverty and wealth in the public sphere; examine how
concepts of poverty/wealth and power are interpreted, enacted or
appropriated in artistic work; discuss the danger of reinforcing
cliches when working with these definitions, and to present their
works/research that are relevant to the theme.
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Ignas Krunglevicius, Interrogation, 2010. Courtesy of the rtist
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Mattias Faldbakken and Gardar
Eide Einarsson are particiating in 'To the Arts,
Citizens!' at Fundação de
Serralves – Museu de Arte Contemporânea, Porto, Portugal. The
show focuses on issues pertaining to manifestations of the
political in the domain of the arts, as part of the celebration of
the 100th anniversary of the Portuguese Republic. Themes and
concepts such as archive, community, ideology, monument, activism,
frontier and manifesto constitute the working guidelines along
which the exhibition will unfold. 'To the Arts, Citizens!' is
accompanied by a cycle of films, conferences and debates. Curated
by the Fundação de Serralves Museum Director João
Fernandes together with curator Óscar
Faria, the exhibition also presents works
by Carlos Motta, Claire
Fontaine, Sam
Durantand Hito Steyerl. The
exhibition is on view until 13 March
2011.
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Matias Faldbakken, The Newspaper (detail), 2008. Courtesy of the artist
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Yaffo 23, Bezalel
Academy of Arts and Design in Jerusalem, Israel presents 'Happily
Ever After'. Within the exhibition, curated by Maria
Nicolacopoulou, Be Andr was
invited to produce a new site-specific installation. The new work
will question 'misconceived notions of happiness and feelings of
artificial contentment achieved through superficial means such as
social networks'. The exhibition will run from 15
March to 29 April 2011. Other
participating artists include Silla Ka
Tung,Pablo
Ferrer and Angelbert
Metoyer.
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Maddy Rosenberg, executive director and curator
of Central
Booking, New York, NY, USA, invited Kristoffer
Myskja to participate in the group exhibition
'Measure for Measure', which runs from 10
February to 3 April 2011. The
new exhibition-project follows a series of science-based
exhibitions that started in November 2010 with 'Attract/Repel',
featuring artists whose main research was related to physics.
'Measure for Measure' further explores the 'art of mathematics and
the mathematics of art, highlighting 20 mathematical artists and
artistic mathematicians, the topology of the three-dimensional and
the geometric illusions of three-dimensionality - and occasionally
four'. Kristoffer Myskja's work Rule 30 is a
machine that is in wood, paper, and metal 'sleekly constructed yet
kinetically functional' creating numerical patterns. Other artists
participating in the exhibition include Rosaire
Appel, Sarah
Stengle, Will
Ashford, Pablo
Heguerra and Julie Shaw
Lutts.
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Kristoffer Myskja, Rule 30, 2010. Courtesy of the artist
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Curated by Sol Kjøk, the exhibition 'North
Stars: Blue, White and Red' gathers 28 contemporary artists from
Norway who present their works at gallery.NO, a non-profit,
artist-run gallery in New York City, NY, USA, in the
period 4 February to 28
April 2011. Organised in three consecutive series
structured around the colors of the Norwegian flag, the exhibitions
explore the symbolism and psychological connotations inherent in
each of these hues. Following 'The North Stars Series: Blue',
'White' is coming up
from 4 to 31 March
2011, featuring the artists Bjørn
Hegardt, Lotte Konow
Lund, Kristin
Skrivervik,Stefan
Schröder, Lars
Strandh, Anki
King, Finn
Graff and Agnes Nedregård.
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Three one-year curatorial fellowships focusing on contemporary
art are available through the The Bass Museum of Art, Miami, FL,
USA. The Fellowships offer emerging curators experience in working
in a mid-sized art museum while performing curatorial tasks,
working alongside other museum departments and dialoguing with
artists, collectors and arts professionals in the Miami arts
community. Among other responsibilities, Fellows will conduct
studio visits in Miami and gather materials to develop a complete
archive on Miami artists. He/she will assist in developing
exhibition programming and contemporary artists' projects, and
facilitate educational programs for museum members. Application
deadline: 1 March. Visit the Bass Museum of Art website for
more information.
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The Lebanese Association for Plastic Arts Ashkal Alwan has
launched the Open Call for Applications for the 2011-2012 'Home
Workspace Program' with Resident Artist/Professor Emily
Jacir. Geared towards developing an interdisciplinary
approach to arts education, the 'Home Workspace Program' targets
emerging artists and cultural practitioners who want to develop
their skills and practice in an artistic environment in Beirut.
Application deadline: 5 March 2011. Visit the
Ashkal
Alwan website for more information.
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The Independent Study Program (ISP) consists of three
interrelated parts: Studio Program, Curatorial Program, and
Critical Studies Program. The ISP provides a setting within which
students pursuing art practice, curatorial work, art historical
scholarship, and critical writing engage in ongoing discussions and
debates that examine the historical, social, and intellectual
conditions of artistic production. The program encourages the
theoretical and critical study of the practices, institutions, and
discourses that constitute the field of culture. Application
deadline: 1 April 2011. For more information and
application procedures please see the Whitney Museum ISP
website.
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The Vera List Center for Art and Politics, The New School, New
York, NY, USA, currently invites applications for the 2011-2013
Vera List Center Fellowships. Two fellowships will be awarded, each
spanning ten months and tied to the Vera List Center's focus theme
for 2011-2013. The fellowships provide the opportunity to further
develop work drawing from the resources of The New School, to
expand on it in collaboration with students and classes, and to
bring it to the public through the Vera List Center's
interdisciplinary public programs. Journalists, historians, visual
and performing artists, critics, curators, and cultural
practitioners working in fields where they engage art and politics
are eligible to apply. Visit the Vera List Center
website for details on fellowship, application form and
procedure.
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The Helsinki International Curatorial Programme currently offers
curatorial residencies in Helsinki, Finland, for international
visual arts curators. The aim of the programme is to provide
curators with an opportunity to carry out research on Finnish fine
art, to build contacts with Finnish art practitioners and cultural
organisations and to develop international curatorial projects
involving Finnish participants. Application deadline: 1
May. Click here for more
information.
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*03–funding: The purpose of the 03–funds, as allocated by the
Norwegian Ministry of Foreign Affairs to OCA, is to further develop
cooperation and professional networking between OCA and the
constituency of artists, independent cultural producers and
organisations that are located in designated countries or
associated with 03–countries. This includes but is not limited to
professional research visits by cultural producers, artists and
curators, short-term residencies for cultural producers and
artists, and the development of seminars, conferences, art
projects, workshops, etc. that focus on the further development of
professional exchange and networking between and among countries,
project development and pilot projects on an international
scale.
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