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The Office for Contemporary Art Norway provides financial
support on a quarterly basis for international projects including
Norwegian artists and/or cultural producers. This includes
extending support to group or single artist exhibitions initiated
by international institutions and international curators.
International artists who have permanent residence in Norway may
also apply for support. The objective is to foster innovative
artistic production, expression and the creative process by
encouraging and supporting projects that support, exhibit and
interpret a broad spectrum of contemporary artistic practices.
Click here for information on
the application process
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In 2007/2008 Office for Contemporary Art Norway offers two
different studio grants for a Norwegian artist and a Norwegian
curator at the International Studio and Curatorial Program (ISCP)
in New York City. The artist/curator will be selected by the host
institution, ISCP NYC, in collaboration with Office for
Contemporary Art Norway Jury.
Application deadline 15
February 2007
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In 2007/2008 Office for Contemporary Art Norway offers a studio
grant for a Norwegian artist at the International Studio Program
Künstlerhaus Bethanien, Berlin. The artist will be selected by the
host institution, Künstlerhaus Bethanien Berlin, in collaboration
with Office for Contemporary Art Norway Jury 2007.
Application deadline 15
February 2007
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The Nordic Pavilion exhibition in 2007, under the
title Welfare — Fare Well, is curated byRenè
Block, the director of Kunsthalle Fridericianum in Kassel
(1998–2006) and internationally acclaimed artistic director of
several international exhibitions and biennials. The exhibition
will include projects by Adel
Abidin (Finland), Jacob
Dahlgren (Sweden), Toril
Goksøyr and Camilla
Martens (Norway), Sirous
Namazi(Sweden), and Maaria
Wirkkala (Finland). A large scale outdoor project
by Lars Ramberg (Norway) is still under
negotiation.
Toril Goksøyr and Camilla Martens discuss their participation in
Venice with Therese Veier.
Further
information on the biennial.
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Goksøyr and Martens It would be nice to do something political, 2002 Courtesy the artists
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The OCA
Semesterplan for winter/spring 2007 is announced.
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The International Studio Programme Oslo is available for
international artists and curators by invitation for a stay from
two weeks up to six months, independently or in connection with
research in Norway. The programme comprises four studios located in
the city centre of Oslo.
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Rosalind Nashashibi
Artist
Born in Croydon, England
Lives and works in London, England
Read
more
Francesco Manacorda
Curator
Born 1965 in Naples, Italy, lives and works in London
Marko Lulic
Artist
Born 1972 in Vienna, Austria
Thomas Bayrle
Artist
Born 1937 in Berlin, Germany, lives and works in Frankfurt
Read
more
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In Spring 2005, OCA launched an experimental off-sites residency
programme whereby the institution invited an international artist,
otherwise not able to participate in the ISP programme in Oslo, to
enter into research or render a project in a country designated as
part of the 03-funding from the Ministry of Foreign Affairs in
Norway. In August 2006, this included the artist and Turner Prize
nominee Phil Collins who traveled to Turkana and realized a
performance within the context of the OCA's Fall Semesterplan and a
follow-up project within Momentum 2006.
In December 2006, at the initiative of OCA, Corey McCorkle
traveled to India to research Le Corbusier's Chandigarh to realize
the film project, Tower of Shadows.
McCorkle's film aims to capture Tower of
Shadows as a cairn (to be animated at the lowest pitch of
light on the shortest day of the year). Much like any Bronze Age
mystery of assembled stones, perhaps capturing within Le
Corbusier's tower itself (his final meditation on the "Radiant
City") the light of his perforated monolithic vision. A time-lapse
film capturing the entire movement of the sun through this
structure and supporting material will be produced.
The film resulting from McCorkle's trip to Chandigarh will be
screened in [OCA, NYC] and Oslo in late April 2007.
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The Office for Contemporary Art Norway runs an International
Visitor Program to support international curators and cultural
producers in their research in Norway for upcoming exhibitions and
projects.
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Carolyn Christov-Bakargiev
Chief Curator, Castello di Rivoli Museum Contemporary Art, Turin,
Italy
Beatrix Ruf
Director and Curator, Kunsthalle Zürich, Switzerland
Read
more
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Clive Kellner
Director, the Johannesburg Art Gallery, Johannesburg, South
Africa
Renske Janssen
Curator, Witte de With, Rotterdam, The Netherlands
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![[OCA, NYC]](http://www.oca.no/img/oca/h2nl/ffffff/000000/%5BOCA%2C%20NYC%5D.gif)
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25 Broadway
New York, 10004
NY, USA
[OCA, NYC] is an experimental platform launched by The Office
for Contemporary Art Norway in Oslo in an aim to initiate projects,
host seminars, talks, and screenings with an effort to draw from
the resources and network already available in New York City. In
supplement to the existing residencies overseen by OCA in
Manhattan, [OCA, NYC] attempts to provide a less formal context for
exchange and presentation with shorter term networking and research
possibilities for Norwegian professionals while also initiating OCA
programming, discursive panels and platforms of discussion.
Click here for March
programme.
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Bodil Furu, Anders Eiebakke,
and Talleiv Taro Manum, are among artists
selected to participate in Don't Worry — Be Curious!: The
4th Ars Baltica Triennial as curated by
Dorothee Bienert, Kati Kivinen, and Enrico Lunghi. The exhibition
which "addresses the problems and fears resulting from upheavals in
present day society" is launched at the Stadtgalerie
Kiel in Germany on 30 March and continues thereafter with
venues at KUMU —
Estonian Art Museum in Talinn, and the Pori Art
Museum in Pori, Finland.
Annie Anawana Haloba Hobøl has been
invited to participate in the 8th Sharjah Biennial
in the United Arab Emirates from 4 April–4 June. The Sharjah
Biennial curated by Jack Persekian will present various
attempts in visual art and film that "address the growing social,
political, and environmental challenges the world is facings due to
excessive urban development, pollution, political ambitions, and
thoughtless misuse, abuse and exhaustion of our natural
resources".
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Dreamlands Burn opened at the Mücsarnok in
Budapest on 7 December. The curator, Lívia Páldi, selected works
by Vibeke Tandberg, Torbjørn Rødland, Maia
Urstad, and Jana Winderen to be
included in the exhibition. An thematic film programme running in
association with the exhibition features the works
of Andrea Lange and Bodil
Furu. The project which is scheduled to run through 25
February, 2007 proposes a crossover of the contemporary art scenes
in the Nordic countries, with an investigation of identity through
the very personal. Among the works of over 50 artists, Páldi
"attempts to offer a contemporary reading of the complex artistic
reality of Northern Europe with the help of various concepts —
identity, nation, statehood, personal versus public, questions of
community". Other artists included in the project are Eija-Liisa
Ahtila, Johanna Billing, Tommi Grönland and Petteri Nisunen, Felix
Gmelin, Alexander Gutke, Jesper Just, Joachim Koester, Gitte
Villesen among others.
Matthew Higgs will present the video work of Lars Laumann
entitled Morrissey Foretelling the Death of
Diana at White Columnsin NYC on 21
February. The video, which "borrows from already established style
and language of films supporting conspiracy theories circulating
the internet" will be shown at the space through 21 March.
The curator Marilou Knode has included Torgeir
Husevaag and Andrea
Lange to participate in a group exhibition
co-organized by Silvia Cubina, Director of The Moore Space in
Miami. The project which will also include works by Matts
Leiderstam, Egill Saebjornsson, and Ragna Robertsdottir will open
at The Moore
Space on 12 May and run through 2 September.
Curator Will Bradley has invited Andreas
Dalen to participate in the exhibition How
to Build a Universe That Doesn't Fall Apart Two Days Later, at
the CCA Wattis
Institute for Contemporary Arts in San Francisco,
California. The project revolves around the contrasting visions of
future put forward in California in the mid 1970s. It takes is
title from an essay by science fiction author Philip K. Dick, in
which he compares the speculative world building of artists and
writers to the scenarios imagined and constructed by governments,
corporations and the mass media. The exhibition opened 28 November,
2006 and runs through 24 February, 2007. Other artists
participating in the exhibition: Can Altay, Nate Boyce, Rick
Guidice, Shaun O'Dell, Toby Paterson, Eileen Quinlan, Eva
Rothschild, Katya Sander, William Scott, Solmaz Shabazi, Bonnie
Sherk, and Gitte Villesen.
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Torgeir Husevaag Poker-drawing no. 1, (from a series of 10), 2006 Ink on paper, 62 x 50 cm
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As part of Documentary Fortnight
Expanded: MoMA's
Annual Festival of Nonfiction Film, the Norwegian
filmmakers Bodil
Furu and Beate
Pedersen will screen Kabul Ping
Pong (2005) on Monday, 12 February 12, 18:00. The
documentary explores the strategies Afghani citizens are using to
put their lives back together after suffering more than twenty
years of continuous and ongoing war. The film focuses on three
individuals who represent diverse strata of Afghani society. The
programme has been curated by Sally Berger and William Sloan.
The book launch of PHILIP will take place
at Dexter
Sinister in New York City, Friday 9 February,
21:00. PHILIP is a novel by Mark Aerial Waller,
Heman Chong, Cosmin Costinas, Rosemary Heather, Francis McKee,
David Reinfurt, Steve Rushton & Leif Magne
Tangen.
Harald Medbøe will participate with his
photographic project Rrom — Gypsy Trips at the
non profit space BWA Awangarda in
Wroclaw, Poland. The project is curated by Pawel Jarodzki opened 7
January and run through 11 February.
Neue
Gesellschaft für Bildende Kunst in Berlin has
invited Ane Lan to participate with her
videoElegi in the exhibition Sexwork — Kunst
Mythos Realität. The exhibition is opened on 16 December and
to be shown at NGBK through 25 February, 2007. The exhibition will
explore the phenomenon of prostitution, from various perspectives
and will investigate the myths and limited perceptions that have
arisen around prostitution.
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Yokoland (Aslak Gurholt Rønsen, Espen
Friberg and Thomas Tengesdal Nordby) was invited by Robert
Blackson, the curator at the Reg Vardy Gallery at the
University of Sunderland to exhibit their print based work from 23
January–23 February 2007. On the opening Metronomicon
Audio's Center of the Universe played. The
Exhibition will also be shown in Edinburgh in June.
The Marienborg Artist Community from
Trondheim will participate in a non-for-profit event SuperMarked to
be held in conjunction with Marked the
international art fair in Stockholm, from 22–25 February. Their
participation will include a symposium containing talks,
discussions, performances, group work and individual work to be
located throughout the city.
Ingar Dragset and Michael
Elmgreen participate in This Is Not For You:
Sculptural Discourses, an exhibition that opened at
the Thyssen-Bornemisza
Art Contemporary in Vienna (22 November, 2006–29 April,
2007). The exhibition "reframes sculpture, object, and sculptural
installation as autonomous, contemporary forms of artistic
practice" and includes among other artists, Ai Weiwei, Fiona
Banner, Monica Bonvicini, Isa Genzken, Jeppe Hein, Jim Lambie,
Sarah Lucas, Eva Rothschild, Andreas Siekmann.
Tom Sandberg will have a major exhibition
curated by Bob Nickas at P.S.1
MoMA in New York City. The exhibition, scheduled to open
11 February, 2007, will include more than thirty photographs taken
over the past ten years, this will be the photographer's first
major exhibition in the United States. Nickas writes:"Sandberg has
produced a remarkable body of work that is consistent in its
vision, imbued with a sense of mystery and great depth of feeling
... Sandberg's work is about photography, about the act of seeing,
and ultimately about being in the world."
Curator Mami Kataoka has invited Trine Lise
Nedreaas to participate in All About
Laughter at the Mori
Art Museum in Tokyo, Japan from 27 January–6 May, 2007.
Nedreaas has been invited to participate with video and
photographic work Forget Me Not 1, 2, 3 in an
exhibition which explores the role of "humour in depicting worlds
that are not possible in real life". The exhibition which is
divided into three sections — 1) avant-garde and laughter, 2)
laughter in everyday life and 3) laughter across different cultures
— includes among others works by George Maciunas, Yoko Ono, Erwin
Wurm, Peter Land, Gabriel Orozco, Damian Ortega, Mark Bradford,
Carlos Amorales, Alora and Calzadilla among others.
Katja Høst has been invited to a present a
project The Lonely Crowd at the artist run
space Articule in
Montreal Canada. The project approaches "ones visibility in public
space and the impossibility of escaping ones own subject and become
the other". The project will be exhibited from 2 February through
11 March, 2007.
Karl Ingar Røys participates in an
exhibition Line of Play at Fabric-Berlin from 11
February. The artist participates with his work, Erna's
Video from 2006, a work which "contains a series of
interviews with people from the former Yugoslavia where social and
structural implications of the Norwegian government's strategies to
stop asylum seekers from wanting to go to Norway, are questioned".
The video is filmed in Sarajevo, Mostar, Belgrade, Prishtina, Oslo
and Volda.
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Lene Berg has been selected to present a
new work entitled The Weimar Conspiracy at
the ACC Galerie, a not
for profit space in Weimar, Germany. The project which opens on 30
March will use Weimar as an image, or example of established ways
of presenting and remembering European history and culture.
Martin Skauen has been invited into a
group exhibition entitled Whenever It Starts It Is The
Right Time, by Chus Martinez, Director of the Frankfurter Kunstverein. The
exhibition scheduled to open at the Kunstverein in March 2007,
explores a world run by states and corporations, in activating our
immediate reality. Martinez has asked that Skauen participate
with The Polarbear Split.
OCA supported Norwegian curator Leif Magne
Tangen in curating a project entitled I will
never make it at Kunstraum D21 in Leipzig, Germany. The
exhibition, writes Tangen, is born out of the necessity of failing.
Built upon an original work by Jan Christensen from 2000, the
project includes artists Mikkel McAlinden, Mark Hamilton, Paolo
Chiasera, and Reto Pulfer. The show will open 10 March 2007.
Frankfurter Kunstverein Director, Chus Martinez, will curate a
major solo exhibition with the works of Gardar Eide
Einarsson, that will open 27 July and run through 16
September 2007 at the Frankfurter Kunstverein.
Martinez notes that Einarsson's work refers to the notion of utopia
understood as "the impossibility of a place". On the other hand,
the artist also addresses the notion of the "future" — or better,
"the near future" — as the social ground we are already sharing and
constructing for our collective tomorrow in the sense that we live
in a permanent negotiation of different cultural and social
backgrounds. Therefore, the solo presentation of Gardar Eide
Einarsson should serve as a terrain to imagine this new territory.
A place where different aesthetic premises co-exist.
Dr. Barbara Steiner, Curator and Director of the Galerie fur
Zeitgenossische Kunst Leipzig, Germany, invited the
artist Stefan Schröder to participate in
a public project entitled Plagwitzer Sand in
Summer 2007 in Leipzig.
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Lene Berg Videostills from The Man in the Background, 2006
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Knut Åsdam was selected as the Artist in
Focus as part of Rotterdam's
International Film Festival. His contribution to the festival
is a particularly versatile one. Not only will he be showing his
own recent short films, he will also produce a large installation
in the Museum Boijmans Van Beuningen, entitled The Care of
the Self Finally Edit, which will take the form of a dingy
little urban park at sunset. This realistically constructed
"hangout" is a synthesis of various motifs from his oeuvre:
architecture, the urban setting, cinematographic mise-en-scéne and,
above all, attention to mental processes (desire, politics, the
everyday). In addition, Åsdam has integrated two installations —
the video work Abyss and the new series of
slides Smooth City, Smooth Space —in the
auditorium and conference spaces of the Netherlands Architecture
Institute (NAi). In the Bilderberg Park Hotel nearby, Åsdam found
the perfect context within which to integrate a small selection of
his early video work. Finally, he will also participate in the
exhibition Borderline Behaviour at TENT with a
graffiti work. During the festival, Åsdam will not only be
introducing his own work, but also a number of his favourite
films.
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Knut Åsdam Still from Finally, 2006 Courtesy the artist
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Exhibition and launching of Tone Hansen's
publication Megamonstermuseum — How to Imagine a Museum of
Today?
The book is the final part of Hansen's research fellowship
project at The Oslo National Academy of the Arts. Here she argues
for the role of the museum as an active platform for dialogue and
production of meaning.
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3–10 February
Opening February 3 at 12.00–16.00
13.00: Official presentation of the resarch fellowship program
14.00: Tone Hansen presents her book and opens the artist
debate
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NIFCA, Nordic Institute for Contemporary Art, was closed down on
31 December, 2006 due to a political decision, as a part of the
restructuring of the Nordic cultural collaboration. NIFCA was
1997–2006 the Nordic Council of Ministers' expert organ for visual
culture; visual arts, architecture and design.
The new program and structure for the Nordic cultural
collaboration starting in 2007 is Nordic Culture Point.
For more information please see: www.kulturkontaktnord.org
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Post-academic Institute for Research and Production
Fine Art, Design, Theory
Call for applications — Deadline: 15 April 2007
Artists, designers and theoreticians are invited to submit
research and production proposals to become a researcher at the Jan
van Eyck Academie. Candidates can either apply with a topic of
their own or for a project formulated by the institute itself. In
order to realise these projects, the Jan van Eyck offers the
necessary made-to-measure artistic, technical and auxiliary
preconditions.
More information about the application procedure can be
found here.
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Gibraltar Point International Artist Residency Program on
Toronto Island, Toronto, Canada: Artscape is currently accepting
applications for the Gibraltar Point International Artist Residency
Program taking place 1–30 June, 2007.
Deadline: 21 February, 2007
For further information please visit Artscape's website
at www.torontoartscape.on.ca/gpiarp
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At the School of Visual Arts in New York September 2007–June
2008: This intensive one-year residency offers international
participants the opportunity to work in technologically advanced
facilities with renowned photographers to bring critical rigor to
the advanced photographer. The function of the program is to
advance the content of individual work through critique, lectures,
museum and gallery visits and dialogue with other participants.
Application Deadline: 1 May 2007
For more information click here.
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