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OCA provides financial support on a quarterly basis for
international projects involving Norwegian artists and/or cultural
producers. Applications are accepted from Norwegian artists,
international artists living and working in Norway and non-profit
organizations. Priority is given to exhibitions taking place in key
international art institutions and project spaces. Support is also
extended to solo and group exhibitions organized by international
curators, as well as to Norwegian art professionals organising
exhibitions and projects abroad.
OCA has implemented an online application system for
applications for the International Support Programme. This system
should be used for the 2010 Second Quarter Application Review, with
a deadline of 15 May.For more information on
Application Process, please click here.
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Recipients from the 2010 Second Quarter Application Review for
International Support grants are listed here.
Click here for
information on International Support and the application
process.
For any questions regarding the application, please contact Anne
Charlotte Hauen at anne.charlotte.hauen@oca.no.
For international institutional applications and biennials, please
address your questions to Alexandra Cruz, at alexandra.cruz@oca.no.
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On view until 26 June
Opening Hours: Wed, Fri and Sat / 12-16:00
Thu / 12-18:00
The Office for Contemporary Art Norway is pleased to present
'Postulates of Contiguity,' the first solo exhibition in Europe by
the Bangalore-based artist Sheela Gowda,
taking place at OCA's public space at Nedre gate 7
until 26 June 2010. The project takes the
form of a dialogue between two works
– And… (2007), a languorous serpentine rope
produced from individual threads and needles that coils throughout
the exhibition space and Best Cutting(2008), a
display that combines a constructed newspaper, The Chronic
Chronicle, overlaid by tailoring patterns. Both works use
lines to formulate a postulate on space that undermines continuity
and coherence.
Click here
for more information on exhibition and on the artist.
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The Office for Contemporary Art Norway is responsible for
the Norwegian participation in the Platform China Residency,
Beijing, People's Republic of China; the International Studio Program
Künstlerhaus Bethanien, Berlin, Germany; the Residency Berlin Mitte,
Berlin, Germany; the International Studio and Curatorial
Program (ISCP), New York, NY, USA; the Platform
Garanti Istanbul Residency Program, Istanbul,
Turkey; the International Artist in Residency
Programme at WIELS Contemporary Art Centre, Brussels,
Belgium; Capacete,
Rio de Janeiro and São Paulo, Brazil.
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Deadline: 15 May
OCA offers four residencies for curators, critics and artists in
Berlin in autumm 2010 and spring 2011. From September 2010 until
end of April 2011 for two months each. The residency provides a
fully furnished apartment located at Kunst-Werke, Institute for
Contemporary Art. In addition, OCA also provides a travel grant of
NOK 4 000. Applicants must be Norwegian citizens, or live and work
in Norway. The residency period will be allocated in discussion
with the selected candidates following the jury's selection.
Curators and critics are especially encouraged to apply and their
applications will be given priority. Please notice that the
residency is not available for BA or MA students. The applications
will be assessed by an International Jury appointed by
OCA.
For more information on OCA's Residency Programmes, please
click here or contact
Alexandra Cruz at alexandra.cruz@oca.no.
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OCA's International Studio Programme Oslo (ISP) is available for
international artists and curators by invitation, independently or
in connection with research in Norway.
Click here for information on the
International Studio Programme Oslo.
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Peter Friedl
Artist b.1960 in Oberneukirchen, Austria, lives and works in
Berlin, Germany
Peter Friedl is a Berlin-based artist. His
artistic practice – consistently heterogeneous in terms of medium,
style and meaning – emphasises the friction between aesthetic and
political awareness in the framework of their respective
narratives. His works explore the conditions and genres of
representation, employing strategies such as permanent
displacement, editing, or over-exposing. Friedl's recent solo
exhibitions include Sala Rekalde, Bilbao (2010), Extra City
Kunsthal Antwerpen (2008), 'Working', Kunsthalle Basel (2008), 'OUT
OF THE SHADOWS', Witte de With, Center for Contemporary Art (2004).
In 2006, the Museu d'Art Contemporani de Barcelona (MACBA)
organized a comprehensive retrospective exhibition 'Peter Friedl:
Work 1964-2006,' which was subsequently shown at Miami Art
Central/Miami Art Museum (2007) and the Musée d'Art Contemporain in
Marseille (2007). Friedl's work has been exhibited worldwide,
including at documenta X (1997) and documenta 12, Kassel (2007),
the 48th Venice Biennale (1999), the 3rd Berlin Biennale (2004),
the 2nd International Biennial of Contemporary Art in Seville
(2006), Manifesta 7, Trento (2008), the 7th Gwangju Biennale
(2008), the 28th Bienal de São Paulo (2008), and Tirana
International Contemporary Art Biennial, Tirana (2009). Since the
1980s, Friedl has published numerous essays and book projects such
as Four or Five Roses (2004) andWorking at
Copan (2007). A selection of his 'Writings and
Interviews 1981–2009' has been released in 2010.
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Peter Friedl, Glen Norah, Glen Norah A Park, 2009 Courtesy of the artist
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Goshka Macuga
Artist b. 1967 in Warsaw, Poland, live and works in London,
UK
Goshka Macuga attended Wojciech Gerson
School of Art in Warsaw, Central Saint Martins School of Art,
London and Goldsmiths College, London. She merges the roles of
collector, curator and artist, creating carefully staged,
mixed-media installations that draw on the conventions of the
historical archive and exhibition making. Her installations play
with historic objects and documents creating complex networks of
reference, they are poignant reminders of the profound relation
between aesthetics and politics. Macuga's solo exhibitions include,
'The Nature of The Beast' (2009-10), Whitechapel Gallery, London;
'I Am Become Death' (2009), Kunsthalle Basel; 'Objects in Relation,
Art Now' (2007), Tate Britain London; 'Sleep of Ulro' (2006),
Liverpool. Group exhibitions include the 53rd Venice Biennale,
'Fare Mondi/Making Words…', Venice; 'The Great Transformation: Art
and Tactical Magic', Frankfurter Kunstverein, Frankfurt; 5th Berlin
Biennial for Contemporary Art, Berlin; 'Martian Museum of
Terrestial Art', Barbican Art Gallery, London; 'The British Art
Show', Baltic. She has also participated in the the 27th São Paulo
Biennial (2006) and was nominated for the Turner Prize in 2008.
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Goshka Macuga, The Nature of the Beast, 2009 Installation view, The Bloomberg Commission Whitechapel Gallery, London Courtesy of the artist and Kate Macgarry, London
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Mette Tronvoll and Gardar Eide Einarsson
to exhibit within
'The Beauty of Distance – Songs of Survival in a Precarious Age'
17th Biennale of Sydney
Curator: David Elliott, Artistic Director of the 17th Biennale of
Sydney
Sydney, Australia
12 May–1 August 2010
David Elliott, artistic director of
the 17th
Biennale of Sydney, has invited Gardar Eide
Einarssonand Mette Tronvoll to
exhibit within 'The Beauty of Distance: Songs of Survival in a
Precarious Age', taking place in Sydney, Australia,
from 12 May to 1 August. In 2010 the biennial
will explore the connections between the visual arts and other art
forms. It aims to bring together work from diverse cultures on the
equal playing field of contemporary art, where no culture can
assume superiority over any other. Within 'The Beauty of Distance',
Gardar Eide Einarsson will exhibit Black Flag With
Hole – a group of five black flags, all with their middle
cutout, hanging from the old, industrial cranes no longer in use on
Cuckattoo Island. The work is inspired by the Romanian
revolutionary flag of 1989. Mette Tronvoll will show a selection of
works from her series Mongolia(2004)
and Rena006 (2006). Mongolia is
a series of portraits depicting the Mongolian nomads and their
houses, the ger or jurte. Rena006 is a series of
portraits taken at the military camp Rena Leir in Østerdalen,
Norway.
Lars Laumann to exhibit within
'International 10: Touched'
6th Liverpool Biennial
Curator: Lewis Biggs, Director, Liverpool Biennial, Liverpool, UK
Liverpool, UK
18 September–28 November 2010
Lewis Biggs, director of the Liverpool Biennial
in Liverpool, UK has invited Lars
Laumann to exhibit within 'International 10:
Touched', as part of the 2010 Liverpool Biennial. According
to the curator, the 'exhibition presents a series of artworks that
affect the viewer through addressing a total context. The artworks
will be made with sensitivity to the specifics of the place, time
and audience of the exhibition, while originating in the artists'
preoccupations with the state of the world and with their own
personal obsessions.' For the biennial, Laumann was commissioned to
produce a new video-work relating to literary censorship and
focusing on the short stories by American writer JD Salinger. The
biennial will take place throughout the city of Liverpool
from 18 September to 28
November 2010.
Bjørn-Kowalski Hansen to exhibit within
'Meta-Realities'
The Nordic Representation in the
2010 Dak'Art Biennial
Dakar, Senegal
7 May–7 June 2010
Marita Muukkonen and Power
Ekroth, curators of the nordic representation within
the 2010 Dak'Art
Biennial in Dakar, Senegal, have
invited Bjørn-Kowalski Hansen to
exhibited within the pavillion. Entitled 'Meta-Realities', the
exhibition poses a question 'can art function as a meta-structure
of the realities we live in, and is that the only meta-structure we
have despite of geo-cultural etc. differences?'. The curators
invited 12 artists from the Nordic countries to participate in the
exhibition that takes place form 7
May to 7 June, among
them Nathalie
Djurberg, Parfyme and Jesper
Just. The exhibition is supported by 03–funding*
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Åsa Sonjasdotter to exhibit within
'Handlung. On Producing Possibilities'
Bucharest Biennale 4
Curatoer: Felix Vogel
Bucharest, Romania
20 May–25 July 2010
Åsa Sonjasdotter has been invited by
curator Felix Vogel to exhibit
within Bucharest Biennale
4, titled 'Handlung' and taking place from 20
May to 25 July 2010. The 2010
edition of the biennial explores the German word 'Handlung', which
according to the curator is 'located between action, activity,
agency and participation, but at the same time it could also mean
story or even narration'. Within the biennial, Åsa Sonjasdotter
will exhibit the long-term project Potato
Perspective, in which the artist uses the potato to
investigates issues of migration, colonialism, economy, diversity
and knowledge. The exhibition is supported by 03–funding*
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Åsa Sonjasdotter The Order of Potatoes (detail) Den Frie Udstillingsbygning Copenhagen, 2009
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From 10 April to 22
May, Matias Faldbakken holds a
solo exhibition at Objectif
Exhibitions in Antwerp, Belgium. According to the press
release, the exhibition, titled 'You think you go but you gon't'
presents works Faldbakken that mixes a conceptual strategy with
trivial gestures, vandalism and appropriation, poetry and
pop-culture, often circling around the idea of artistic production
as the practice of doing nothing and of negation. He often employs
invisible negatives through which to reconsider more ordinary,
familiarly assumed constructions of any given situation.
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From 11 June to 4 July
2010 the Nomas Foundation in
Rome, Italy will host a solo presentation of Bjørn
Hegardt//FUKT Magazine. Developed in collaboration with
Italian artistMarco Rapparelli and curated
by Cecilia
Canziani and Ilaria Gianni,
Programme Coordinators, Nomas Foundation, Rome, Italy, the
exhibition will revolve around FUKTmagazine. It will
present an installation, selected original works from artists
featured in the publication, as well as screening of animations.
Hegardt will also present all the previous issues
of FUKT with a focus on the latest one, which
will be printed in June 2010.
On 11 April Bonner Kunstverein in
Bonn, Germany opened a solo show by Marte
Eknæs. Curated by Anna Dietz,
Curator, Bonner Kunstverein and titled 'Insert', the exhibition
will display new sculptures and wall works that examine different
architectural structures from Bonn and derive from the notion of
consciousness industry as described by Alexander Kluge and Oscar
Negt – or the idea that the public sphere excludes substantial
life-interests while claiming to represent society as a whole.
'Insert' stays on view until 13 June.
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Fukt Magazine Issue No 7 1/2, 2009
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From 14 to 16 May, Torpedo
Press participates in 'No Soul For Sale – A Festival of
Independents'taking place in the Turbine Hall at Tate Modern in
London, UK. Curators Cecilia Alemani, Maurizio
Cattelan and Massimiliano Gioni have invited more
than seventy independent art spaces, non-profit organisations and
artists' collectives to present art events, performances, music and
film, to be displayed in an unconventional, do-it-yourself style.
Torpedo will showcase its publishing activities and 'work in
progress' by exhibiting works related to three forthcoming titles
in the series of artist's books published by Torpedo Press. The
artists Marius Engh, Liv Bugge and Lina Viste Grønli will each
present an artwork which is key to their respective book-projects.
Among the other independent arts organisations taking part in 'No
Soul For Sale' are: Alternative Space LOOP, Artspeak,
Artists Space, Capacete Entertainment, Dispatch, L'appartement 22,
Light Industry, New Jerseyy and Para/Site Art Space.
At invitation of Jacob Fabricius,
Director, Malmö
Konsthall in Malmö, Sweden, Vibeke
Slyngstadexhibits within 'Murder at the Savoy,' organized
by the Konsthall and taking place in public spaces throughout
Malmö. The exhibition brings to perspective the city's social and
political history and it is based on Maj Sjöwall and Per Wahlöö's
crime novel Murder at the Savoy (1970). Within
the show, Slyngstad exhits two new large-scale paintings relating
to Savoy Hotel and Lindham rifle range – two of the novel's
locations. 'Murder at the Savoy' stays on view
from 9 to 18
July and also presents works by Matthew
Buckingham, Leif
Eriksson, Ylva
Friberg, Annika von
Hauswollf,Saskia
Holmqvist, Martin
Karlsson, Jakob
Kolding, Elisabeth Apelmo/Marit
Lindberg, Ann
Lislegaard, Elin
Lundgren and Gerhard
Nordström.
Ida Ekblad and Ann
Lislegaard have been invited by
curators Laurie De
Chiara and Tine Bundgaard
Quedenbaum, Director, Sølyst Artist Residence Center,
Jyderup, Denmark to exhibit within 'Pastiche… When a tree falls in
the forest', the 2010 edition of Pastiche – an annual outdoor
exhibition at Sølyst
Castle in Jyderup, Denmark. Taking place
from 9 to 18 July,
the exhibition presents commissioned site-specific works and
explores ideas around perception and pre-conceived modes of
experience art. Lislegaard and Ekblad will exhibited site-specific
outdoor artworks produced during a short residency at Sølyst Castle
in April 2010. Other exhibiting artists within 'Pastiche… When a
tree falls in the forest' are A
Kassen, Benandsebastian, Ultragrøn, Mads
Lynnerup, Lone Haugaard
Madsen, Elena
Bajo, Olaf
Breunning, Ellen
Harvey, Franz
Höfner, Harry
Sachs, Stefan
Saffer and Wolfgang Karl
May.
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Baktruppen (Øyvind
Berg, Jørgen
Knudsen, Worm
Winther and Ingvild Holm)
andD.O.R (Sverre
Gullesen, Steinar Haga
Kristensen and Kristian Ø) to
partke in 'Let Us Compare Mythologies', taking place
at Witte de With, Center
for Contemporary Art in Rotterdam, the Netherlands
from 11 to 13
June. Curated by Renske Janssen,
curator at Witte de With, 'Let Us Compare Mythologies' is a
three-day cycle of performances for which artists will develop new
productions. The programme is part of 'Morality', the leitmotiv of
Witte de With's 2009/2010 programme and questions man's
relationship to objects and the meaning and the location of the
(art)object. Among other artists that participated in 'Morality'
are AES+F, Isa
Genzken, Goshka
Macuga and Luc Tuymans.
As part of his year-long residency at ISCP in Brooklyn,
NY, Lars Laumann exhibits within 'Open
Studios' at ISCP. As a special 15th anniversary, the ten-day
exhibition presents works by the forty artists currently in
residence at ISCP. In conjunction with Open Studios, ISCP presents
'Studio B-LAST', a project curated by Sandra
Skurvida, comprised of an exhibition by Clifford Owens, an
opening-night performance by CHOKRA, and a roundtable discussion.
The exhibition stays on view
from 7 to 16
May at ISCP and will show case works
by Daniel Barrow, Rodrigo
Imaz and Claudia Ulisses, among
many others.
From 27 June to 7
November, Åsa
Sonjasdotter exhibitis within 'EATLACMA' at
the Los Angeles County Museum
of Art(LACMA) in Los Angeles, CA, USA. The projects exhibited
within 'EATLACMA' consider food as a common ground that explores
the social role of art and ritual in community and human
relationships and consist of artist's gardens planted and harvested
on the museum campus, public events and an exhibition. Within
'EATLACMA', Sonjasdotter exhibits Potatofield, a
Solution. Inspired by Agnes Denes' Wheatfield,
the project presents an average looking potato field developed in
collaboration with the farmers' collective The Communities of The
Potato Park in Cuzco, Peru. 'EATLACMA' is curated
by Fallen Fruit, artist collective, Los
Angeles and Michele Urton, Curator LACMA and
will also present works by Lauren
Bon, Materials and
Applications, Fallen
Fruit and The National Bitter Melon
Council.
From 18 June to 17 July
2010 Aeron Bergman and Alejandra
Salinas will partake in 'Always Moving (A performance
laboratory in several parts)' at Gertrude Contemporary Art
Spaces in Melbourne, Australia. Within the project – a
presentation of international perfiormance artists – the artist duo
will present various works, among them I Am a
Communist,45 Revolutions Per Minute, The
Invisible Dog and the Invisible Cat (After Alfred
Hitchcock) and I Am Traveling Through Time. I Am
Traveling Through Time. Other participating artists
are Otherfilm, Rosalind
Hall, Scott
Foust and Dale Gorfinkel.
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Baktruppen, Light Metal Band, 2008 at Gamle Losjen, Oslo, 2009 Courtesy of the artists
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Lars Morell and Gardar Eide
Einarsson are exhibiting within 'Fiction', taking
place at the Fondation
d'Entreprise Ricard in Paris, France until 5
June. The exhibition – curated by Agnes
Violeau and Christian Alandete,
directors/editors of J'aime beaucoup ce que vous
faites... – investigates the border between image and
text exploring possible ways of interpreting the visual in
text-based works. Within 'Fiction' Morell exhibits Food
for Thought, a sill-life work presented on plinths and
composed of various media such as photographs, drawings and text,
produced for the exhibition. Among other exhibiting artists
are Jean-Baptiste
Bernardet and Jorge Pedro
Nunez.
Dr Tomasz Wendland, Director of
the Mediations
Biennale in Poznan, Poland has invited Lars
Laumann and Magnus
Bjerk to exhibit within 'Mediators', taking place at
the National Museum in Warsaw, Poland
from May to September
2010. The exhibition will be presented in specially
constructed containers placed in front of the National Museum and,
according to its curator, aims to be a mediation between the real
life outside and the 'internal life' of the museum. Within the
exhibition, Laumann will present the video-work Morrissey
Foretelling the Death of Diana, a video montage that suggests
that Morrissey, the former lead singer of The Smiths, somehow
anticipated the death of Princess Diana. Magnus Bjerk will
present The Inside of the Outside of the Inside, a
series of photographs portraying trailers, which have abandoned
their role as mere transport vehicles to act as border between the
inside/outside and the tangible/non-tangible.
Øyvind Renberg and Miho Shimizu are
exhibiting withing 'Bodies of Dispersion: Mechanisms of Distention'
at Galeria
Arsenal in Bialystok, Poland. The exhibition, curated
by Denise Carvalho, examines the relationship
between the singular body and its mechanisms of multiplicity in
everyday life. Within 'Bodies of Dispersion' Renberg and Shimizu
exhibit the series Art of
Cheese and Rio Porcelain, projects that
look into the translation of social codes and culture, between
communities'. 'Bodies of Dispersion' that takes place
from 21 May to 20
June and will also present works by Alex
Villar, Spurse and Xurban
Collective.
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Kurt Johannessen has been invited by
curator Victor Petrov to participate in
the 2010 edition of the International Festival of
Performance Art Navinki, taking place
between26 and 31 August
2010 in Minsk, Belarus. The festival plays an
important role in contemporary cultural life in Belarus as well as
it represents an opportunity for international networking of
performance artists. Within the festival Johannessen will present
new performative-work. Among other exhibiting artists
are Anna Syczewska,Elisa
Andessner and Katnira Bello.
The exhibition is supported by 03–funding*
At invitation of curator Àki
Àsgeirsson, Haraldur
Karlsson participates in the 2010 edition
of RAFLOST festival in
Reykjavik, Iceland. Organized by the Iceland Electronic Art
Association, the annual festival is dedicated to artists who are
using electricity or electronic equipment at any stage in their
work process. Within RAFLOST Karlsson will present a lecture and a
performance on the concept of 'creating the now, or does it add
something?.' The festival takes place
between 14 and 22
May and will also present works by Pall
Thayer, Rasa Smite and Linda
Vebere and RIXC, among
others.
Pernille Leggat Ramfelt has been invited
by Zhao Yonggang, director of 1918 Art Space in Shanghai,
People's Republic of China to exhibit within 'Henji', taking place
in June 2010 at 1918 Art Space. The
exhibition, developed in collaboration with Hangzhou International
Art Studio, will present new works by thirty artists recently
graduated from the Slade School of Fine Art, London, among
them Alexander Bates, Alexandra
Hughes and Andrew Ranville. The
works will be developed during a short residency in Shanghai.
Within the exhibition Ramfelt will present Live
Cinema (working title), a new work that expands on ideas
of cinematic by looking into Long Jing, Dragon Well – one of
China's most renowned tea-farms – and how its own cultural
specificities can influence cinema. The exhibition is supported by
03–funding*
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Kurt Johannessen, The Investigation, 2008 Courtesy of the artist
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Kunstlerhaus Schloss Balmoral calls for applications for the
Balmoral Scholarships and the Foreign and Exchange Scholarships for
2011. Six residence scholarships will be awarded to international
visual artists, each scholarship lasts 6 months starting April
2011. The resipients are endowed with 1 200 euros per month and
include free accommodation at the Kunstlerhaus Schloss Balmoral.
International artists of any age from the disciplines painting,
sculpture, installation, drawing, printmaking, design, photography,
video, new media and landscape art are eligible to apply. The
International Curator Scholarship at the Kunstlerhaus Schloss
Balmoral aims to foster dialog between research and art, it awards
a residence scholarship to a young scholar for a curatorial project
to be developed by the scholarship holder and the Kunstlerhaus
Schloss Balmoral. The resipients are endowed 1,200 € per month
and includes free accommodation lasting six 6 months begining in
April 2011. For more information please contact info@balmoral.de.
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*03–funding: The purpose of the 03–funds, as allocated by the
Norwegian Ministry of Foreign Affairs to OCA, is to further develop
cooperation and professional networking between OCA and the
constituency of artists, independent cultural producers and
organisations that are located in designated countries or
associated with 03–countries. This includes but is not limited to
professional research visits by cultural producers, artists and
curators, short-term residencies for cultural producers and
artists, and the development of seminars, conferences, art
projects, workshops, etc. that focus on the further development of
professional exchange and networking between and among countries,
project development and pilot projects on an international
scale.
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