Workshop : 11 November 2009 11:00 – 16:00

'Columns, Grottos, Niches: The Grammar of Forms' On Art Criticism, Writing, Publishing and Distribution' : Audio Interpretation: Writing on Sound

How do you translate sound into words? How do you pin down music, ethereal and without body, onto the page? In this workshop, The Wire's deputy editor Anne Hilde Neset will explore various approaches to writing about sound: journalistic, fictional, personal, historical and theoretical. The workshop will sample music and sound clips and discuss how sonic experience can be put into words, and will include reading various examples of writing on sound and debating their different approaches and effects. Participation is open to the public with prior registration.

Preparatory readings

  • -Lester Bangs, review of 'Sun Ra: Atlantis', Phonograph Record, June 1973
  • -Ian Penam, 'On The Mic: How amplification altered the voice for good', The Wire, no.182, April 1999
  • -Simon Reynolds, 'Music & Theory', Frieze, September 2009
  • -Alex Ross, 'Chapter 1: The Golden Age: Strauss, Mahler and the Fin de Siècle', The Rest Is Noise: Listening to the Twentieth Century, New York, NY: Farrar, Straus and Giroux, 2007