RECITAL OF VEVNAD BY ARNE NORDHEIM
Performed by Hans Josef Groh, Sverre Riise and Asbjørn Blokkum Flø.
Wednesday 15 June, 19:00
Office for Contemporary Art Norway
Nedre gate 7, 0551 Oslo
I do everything myself, from the beginning, spinning,
dyeing and later weaving the yarn into the heart.
It thus becomes weaving of art, not the art of weaving.
- Hannah Ryggen,
Vi lever på ei stjerne, Inga Elisabeth Næss, Samlaget 2002
In connection with the closing of the exhibition 'Forms of Modern Life', which includes two major works by Hannah Ryggen (1894-1970) on loan from The National Museum in Oslo, OCA has commissioned the recreation of a recital of Vevnad as originally composed by Arne Nordheim (1931-2010), and now performed with Hans Josef Groh on cello and Sverre Riise on trombone. Asbjørn Blokkum Flø will steer the MIDI-file for the Disklavier. This recital marks the first and only time this experimental composition has been revisited and reperformed publicly since the introduction to audiences in 1993.
Arne Nordheim composed Vevnad in conjunction with Nordenfjeldske Kunstindustrimuseum's 100th year anniversary as a tribute to Hannah Ryggen, an artist who for nearly four decades created tapestries based on a committed social and political engagement. The piece is a homage to the artist, her approach to her medium, and reflects the concept of weaving on several levels: the score consists of three sections, all named after technical terms of weaving: Woven piece, Weft and Warp. The piano part is composed and drawn in a manner that visually makes the notes in the original score resemble woven material. During the actual performance Nordheim steered a Disklavier from a computer with the front of the instrument removed facing towards the audience. The strings and the mechanical movements inside the Disklavier thus resembled a shuttle moving through the warp of a loom.
Arne Nordheim premiered Vevnad on the opening of the 100th year anniversary exhibition at Nordenfjeldske Kunstindustrimuseum on 2 October 1993, together with cellist Ingrid Stensland, trombonist Arne Johansen and Sigurd Saue who steered the MIDI-file for the Disklavier. The concert was held in the Hannah Ryggen Hall surrounded by her tapestries.
About the artists
Arne Nordheim (1931-2010) made his
international breakthrough in the beginning of the 1960s with the
song cycle Aftonland (Evening Land, 1957), followed by
Canzona (1960) and Epitaffio (1963). His work has
since then been played by leading orchestras and musicians around
the world, and he is considered the Norwegian contemporary composer
who has achieved the greatest recognition beyond the boarders of
his own country. Nordheim received a large number of prices and
honors including the Arts Council Norway Honorary Award (1990).
From 1981 he was the tenant of Grotten, the honorary residence
offered by the State to the nation's most outstanding creative
artist. In 1997 he was elected honorary member of the International
Society for Contemporary Music.
Hans Josef Groh studied cello with Valentin Erben and Martin Ostertag in Germany. Until 1992 he was a member of Ensemble 13, one of Germany's leading ensembles of contemporary music. He is currently a cello player with the Oslo Philharmonic Orchestra, in addition to being a regular player in the Oslo Sinfonietta, and a member of the Norwegian Chamber Orchestra. He has taught at the Badisches Conservatoir, Karlsruhe, Germany and The Barratt Due Institute of Music, Oslo, Norway. In 2010 he was awarded Spellemannsprisen for his CD Die 7. Himmelsrichtung, in the category for contemporary music.
Sverre Riise studied trombone with professor Ingemar Roos at the Norwegian State academy of Music, and has held the position as principal trombone in the Norwegian Opera Orchestra and the Norwegian Radio Orchestra, where he still is today. In 2000-2001 and 2006 he was playing with the Malaysian Philharmonic Orchestra, and he has occasionally been playing with the Norwegian Radio Orchestra and the Oslo Sinfonietta. Sverre Riise is currently a teacher at the Barratt Due Institute of Music in Oslo.
Asbjørn Blokkum Flø holds a diploma in composition from the Norwegian Academy of Music. Since 1999 he has worked as a freelance composer and sound artist with focus on instrumental music, electronic music and sound art for radio and installations. Flø's works have been performed in a number of festivals, including DEAF (Dutch Electronic Arts festival, Rotterdam, the Netherlands), Synthése (International Festival of electronic music and sonic art - Bourges, France), Ultima, Oslo and the Ibsen Festival, Oslo. He has represented Norway in Ars Acustica twice.
OCA would like to thank Rannveig Getz Nordheim for generous permission to perform Vevnad, Sigurd Saue from NTNU for the MIDI-file, NOTAM - Norwegian center for technology in music and the arts, for technical assistance and Jan Bjørnar Sture/KHIO for lending of the Disklavier, Jan-Lauritz Opstad from Nordenfjeldske Kunstindustrimuseum, Harald and Peter Herresthal from NMH and Øyvind Nyvoll from Ensemble Ernst. The event is curated by Tonja Boos from OCA.