Maria Lind has been the Director of the Tensta Konsthall since 2011 and is the Artistic Director for the 11th Gwangju Biennale 2016. She was the director of the graduate programme at the Center for Curatorial Studies, Bard College, from 2008–10. Before that, she was the director of lASPIS in Stockholm (2005–07) and the director of the Munich Kunstverein (2002–04). Previously she was the curator at Moderna Museet in Stockholm (from 1997–2001) and in 1998 co-curated Manifesta 2, Europe’s nomadic biennial of contemporary art. Responsible for the ‘Moderna Museet Projekt', Lind worked with artists on a series of 29 commissions that took place in a temporary project-space, or within or beyond the Museum in Stockholm. She is currently a professor of research at the Art Academy in Oslo. She is the co-editor of the following books: Curating with Light Luggage (2005) and Collected Newsletter; Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art (2007); European Cultural Policies 2015; The Greenroom: Reconsidering the Documentary and Contemporary Art (2008); Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios (2012); Performing the Curatorial: With and Beyond Art (2012) and Art and the F Word: Reflections on the Browning of Europe (2015), all with Sternberg Press. She edited Abstraction as part of MIT’s and Whitechapel Gallery’s series ‘Documents on Contemporary Art’. In 2010 a selection of Maria Lind’s essays, Selected Maria Lind Writing, spanning from 1997–2010, was published by Sternberg Press, edited by Brian Kuan Wood. Lind won the Walter Hopps Award for Curatorial Achievement in 2009 and was a board member of IKT from 2006–2011.